Our Performance

884

(VESSELS)

TOTAL

852,145

(CONTAINERS)

TEUs

664,198

(BREAK BULK)

F/T

247,100

(BULK)

F/T

67,973

(RORO)

UNITs

19,993

(LIVESTOCK)

HEADs

132

(VESSELS)

TOTAL

148,479

(CONTAINERS)

TEUs

98,922

(BREAK BULK)

F/T

15,200

(BULK)

F/T

12,192

(RORO)

UNITs

0

(LIVESTOCK)

HEADs

Our Company

QTerminals is a terminal operating company jointly established by Mwani Qatar (51% shareholding) and Milaha (49% shareholding) to provide container, general cargo, RORO, livestock and offshore supply services in Phase 1 of Hamad Port, Qatar’s gateway to world trade.

QTerminals is responsible for enabling Qatar’s imports and exports, its maritime trade flows and stimulating economic growth locally and regionally. QTerminals was awarded the concession for the design, development and operations of Hamad Port’s Phase II (Container Terminal 2) in November 2018 by Qatar’s Ministry of Transport and Communications. We are also actively identifying investment and operations opportunities in ports and terminals outside of Qatar.

More

Sinhala cinema, also known as Sinhalese cinema, is the film industry of Sri Lanka, which produces films in the Sinhala language. With a rich history dating back to the 1940s, Sinhala cinema has grown to become a significant part of Sri Lankan culture and entertainment. The rise of digital platforms and social media has made it easier for Sinhala films and videos to reach a wider audience, both locally and globally. This paper aims to provide an overview of verified Sinhala filmography and popular videos, highlighting notable films, actors, and trends in the industry.

Sinhala cinema has a rich history and has grown to become a significant part of Sri Lankan culture and entertainment. Verified Sinhala filmography includes notable films such as "Gamperaliya," "Nalanda," and "Pavatha Cuvannu Bala." Popular Sinhala videos, such as "Sihenayak," "Thalata Balanna," and "Kala Wakin," have gained millions of views on YouTube. Trends in Sinhala cinema include increased commercialization, experimentation with genres, and the rise of digital platforms. As the industry continues to evolve, it will be interesting to see how Sinhala cinema adapts to changing audience preferences and technological advancements.